Expressive Forms in Brahms’s Instrumental Music: Structure...

Main
Arts - Music
Expressive Forms in Brahms’s...

Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet

Peter H. Smith

0 / 0

Jak bardzo podobała Ci się ta książka?

Jaka jest jakość pobranego pliku?

Pobierz książkę, aby ocenić jej jakość

Jaka jest jakość pobranych plików?

Kategorie:

Rok:

2005

Wydawnictwo:

Indiana University Press

Język:

english

Strony:

336

ISBN 10:

0253344832

ISBN 13:

9780253344830

Serie:

Musical Meaning and Interpretation

Plik:

PDF, 22.65 MB

IPFS:

,

english, 2005

Ściągnij (pdf, 22.65 MB)

Trwa konwersja do

Konwersja do nie powiodła się

Możesz być zainteresowany

Draheim Joachim (Ed.) — Piano Pieces of Brahms and friends

John Daverio — Crossing Paths: Schubert, Schumann, and Brahms

Simon Morrison — The people's artist: Prokofiev's Soviet years

Margaret Notley — Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (Ams Studies in Music)

Paul Berry — Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion

Heather Platt — Johannes Brahms: A Research and Information Guide (Routledge Music Bibliographies) Second Edition

Andrew C. Davis — Sonata Fragments

Sholes, Jacquelyn — Allusion As Narrative Premise in Brahms’s Instrumental Music

Lucien Stark — Brahms’s Vocal Duets and Quartets with Piano: A Guide with Full Texts and Translations

Raymond Monelle — The musical topic: hunt, military and pastoral

Heather Anne Platt, Peter Howard Smith — Expressive Intersections in Brahms: Essays in Analysis and Meaning (Musical Meaning and Interpretation)

Neil Edmunds — Soviet Music and Society under Lenin and Stalin: The Baton and Sickle (Basee Routledge Series on Russian and East European Studies)

Susan McClary — Conventional Wisdom: The Content of Musical Form (Ernest Bloch Lectures)

Colin Lawson — Brahms: Clarinet Quintet

Katy Hamilton, Natasha Loges — Brahms in the Home and the Concert Hall: Between Private and Public Performance

Hermann Deiters — Johannes Brahms: A Biographical Sketch (Cambridge Library Collection - Music)

Robert Pascall — Brahms Beyond Mastery: His Sarabande and Gavotte, and Its Recompositions

David Beach; Yosef Goldenberg — Bach to Brahms: Essays on Musical Design and Structure

Scott Murphy — Brahms and the Shaping of Time (Eastman Studies in Music 144)

Dyment, Christopher — Conducting the Brahms symphonies : from Brahms to Boult

Timothy A. Johnson — Foundations of diatonic theory: a mathematically based approach to music fundamentals

Julian Horton — Towards a Theory of Nineteenth-Century Tonality

Unknown — Schubert's Sonata Form and Brahms's First Maturity

Flyod Grave, Margaret Grave — The String Quartets of Joseph Haydn

suzannah clark — Analyzing Schubert

Carl Schachter, Joseph N. Straus — The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory

Jason Yust — Organized Time: Rhythm, Tonality, and Form

George S. Bozarth (editor) — Brahms Studies: Analytical and Historical Perspectives. Papers Delivered at the International Brahms Conference, Washington, D. C., 5-8 May 1983

Allen Cadwallader & David Gagne — Analysis of tonal music : a Schenkerian approach

William E. Caplin — Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven

Carl Schachter, Joseph N. Straus — Unfoldings: Essays in Schenkerian Theory and Analysis

James Hepokoski, Warren Darcy — Elements of sonata theory: norms, types, and deformations in the late eighteenth-century sonata

Floyd Grave, Margaret Grave — The String Quartets of Joseph Haydn

Ethan Haimo — Haydn's Symphonic Forms: Essays in Compositional Logic

Seth Monahan — Mahler's Symphonic Sonatas (Oxford Studies in Music Theory)

William E. Caplin — Analyzing Classical Form: An Approach for the Classroom

Stephen Hefling; Stephen Hefling; Professor of Music R Larry Todd — Nineteenth-Century Chamber Music

Heather Anne Platt, Peter Howard Smith — Expressive Intersections in Brahms: Essays in Analysis and Meaning (Musical Meaning and Interpretation)

Andrew Davis — Sonata Fragments: Romantic Narratives in Chopin, Schumann, and Brahms

Davis, Andrew C. — Sonata Fragments

Robert S. Hatten, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Franz Schubert — Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert (Musical Meaning and Interpretation)

Robert S. Hatten — Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (Advances in Semiotics)

Najbardziej popularne frazy

Powiązane listy książek